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(+1)

Ahhh, what a nice harmony. I really like the balance of each instrument. Could you tell me the important points to achieve balance? I would be very happy to receive advice.

(+2)

As far as I've come to understand it, it's just a matter of understanding your textures and how to double your voicings. For example, quieter and softer passages may require you to use minimal blending of voices, especially between the low and high instruments. Or, for bigger and grander ones, it's important to double your voicings between both high and low instruments alike. 

It all comes down to experimentation, but if you ever wanted to learn more about it, you could look into how famous orchestral composers went about making their music and balanced between different sections of the orchestra. Some of their pieces would set up an important precedence for the future of music. I don't know any off the top of my head that I can suggest, but I would especially recommend any 20th century orchestral composers.