Great work with the orchestration, and I love the stop-gap breaks that appear throughout. Super solid arranging of the strings throughout; using a lot of different articulations to their strengths here. Kudos on the percussion as well - I think this is the most thoughtful and developed orchestral percussion I've heard from an orchestral submission.
Having Sweet Ode resort to sustained strings and leaving the woodwinds to take the lead was a genius was to shift the tone and mood of the piece accordingly. Enjoyed the change of pace and the pensive approach - an opportunity to breathe after the drama beforehand. Could easily hear these tracks and its sections being used in a variety of games.
Great work here - I think you've got a knack for really understanding how to layer different instruments properly without one or the other completely dominating the mix.