Overall an enjoyable listen. I'm a sucker for nice minimalistic stuff just wallowing in nice string chords, so I really liked 0:24 onwards especially.
I can see that you are trying to build up/mix up layers of motifs (forgive me if I'm wrong on that assumption). The triplet harp works very nicely while using the held string chords, because it adds that gentle momentum that you otherwise wouldn't have with static chords, and the dialogue between the glock and the pizz strings is a nice touch, but I have to say I think the re-inclusion of the harp triplets in bar 9 felt quite forced and didn't gel as well as other sections. I think its worth keeping in mind that you can still nod to that harp motif without playing it note for note. For instance you can change the scale you're using, or fragment the motif, or change the rhythm but maintain a similar melodic shape. It can be those kinds of careful adjustments that, I believe, allow a piece to flow naturally from section to section.
Nevertheless, nice work and it would've been great to see how the track developed if you had had more time. Always glad to see another musescore user :)