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Oh, that’s really neat! I hadn’t picked up on that at all. It’s wonderfully fitting that a large work like this, one that looks at events and themes spread over such large timescales, should begin with an homage to Calliope. In a way, it’s your own Homeric ‘Sing, O Muse!’.

As for whether it’s an ancient song or not, I’m not sure I particularly mind. It’s a fine piece of music either way! I always like to think of music performed as having its own merit, regardless of its origin.

For instance, I do think it’s really important and interesting – not to mention enlightening – to perform historic music in ways that try to recreate how those works would have sounded at the time they were written. But I think it’s also informative to reinterpret this music with a modern mindset. Likewise, I think it’s worth using historic themes in new music, and also to write new music in historic forms. There’s a real art in writing good pastiche of historic styles. If this Calliope is a pastiche, or even simply evoking a certain style, I think it’s pretty decent.

As for using ancient themes, I think it’s interesting that the Greek Gods have never really left us, at least in art. We might not build temples to them these days, but they’ve been a continuous part of many cultures for thousands of years. I’m a singer myself, and I sing music from a wide range of eras – spread over a good thousand years or so. And I can think of references to the Greek Gods that span most of that time. There are just so many examples!

One song springs to mind. I’d post it here, but sadly no-one seems to have recorded it yet. It was written in the 1670s/80s, and has as its text a poetic translation of Anacreon’s Ode ΕΙΣ ΛΥΡΑΝ. At least to me, the text seems to sit well alongside Minotaur Hotel. The title refers to the lyre, and the song is accompanied by the lute – the lyre’s close companion – so that too seems fitting!

“I'll sing of Heroes, and of Kings;
In mighty Numbers, mighty Things.
Begin my Muse! but lo! the strings
to my great song rebellious prove,
the strings will sound of nought but Love.

“I broke them all, and put on new;
'tis this, or nothing sure will do.
These sure, said I, will me obey;
these sure heroic notes will play.
Straight I began with thund’ring Jove,
and all th’immortal Pow’rs, but Love.

“Love smil'd, and from my’nfeebled Lyre,
came gentle Airs, such as inspire
melting Love, and soft Desire.
Farewell then Heroes, farewell Kings,
and mighty Numbers, mighty Things;
Love tunes my heart, just to my strings.”