Yeah, the production value was kind of handicapped. I started a month early in MuseScore, but that only left maybe 8 days for a DAW guy. He skipped Paper 64 Medley, so its production value was just me using MuseScore's panning knobs and exporting it as an MP3. Very few sample choices, minimally granular dynamics, and no effects when I go without a DAW guy.
Pardoned in the Confession Booth was actually a surprise for me; I had no idea Rabbit would add percussion, and it actually made it sound like a song from Evangelion. Maybe Separation Anxiety. I assume the percussion would effect a scene's pacing, but that's what multiple variations are for.
RIP Fly Me to the Moon in some releases of Evangelion, BTW.