I absolutely love this entry. Here’s three favourite things:
1. The subtle way the bass enters in Through the Perimiter. It seems to be setting a pulse, but stays at that low, soft place, just adding some tense colour.
2. The Forest, which sounds like it could belong in a 2D Metroid game.
3. I’ve heard a lot of tracks I really like in this jam, but a lot that don’t feel like they’d serve as good game soundtracks. This isn’t that; these would work really well as background level loops.
Also the last track gave me flashbacks to Robert Miles, whose track Children you absolutely couldn’t get away from in 1995.