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Yay! Hi! welcome to the mud pit, have some mud!

I have a few different ways this can go and nonr of them do outreach or onboarding well, so might as well go full dumpster fire and let the fall take me i do have to go to work but did want to post some reply ⛓️⚒️⛓️

Where i answer with the one link I answer with cure light wounds* by Jared Sinclair — What that piece is for bodies, my comments are for body text. the wound/language “what are we without the word(s)?—God(s)less——exactly” txtocalypse, can’t extract the excerpt without abstracting the person bla blah blah

Where I answer with just: ways to get the books that are The books, I answer community voices, activist writings, oral histories, and cultural productions coming directly from your immediate homes. Park benches, a street with far too many cars parked on the curbs, a factory way, way too close to these front doors you’re around and likely eating outside of, a gun going off every six hours “to curb gentrification,” you’re told. These are the voices of those whose air and eyes meet yours, who have done the work of finding a demand and building a lived experience around that demand – it looks like a bunch of people sitting around. It isn’t; it is. This is uncomfortable. This is the vital work, the flowchart for triage, the day, la brega, your phone in a faraday cage. And each voice here will say more to you and do more for you, your study than anything you can snipe in 5 billion heartbeats from the largest library that is within a week’s walk from you. Immersing yourself in the manifestos, zines and cultural productions emerging from anarchist thought spaces in your breath-length social movements as you write letters to prisoners will do more than anything found below this line you open.†


You’re not going to like where I answer your specific question (as the piece is built to be antagonistic to those very questions in particular, which is super sad now that it’s happening! 😭 ) The truth is, the piece is retrofitted from a draft of an essay series I am working on. It just happens to be talking about similar, “unfit” things as ‘what you explore in “Would You…”’ So I thought I’d post what I have, in conversation, changing this and that from its original audience of land management to match the audience of: 4x, weather, “David”, and war, and see how it holds up.

Because of that, a lot of underlying themes are jagged and aliased, from the exigence in 6e’s “— nothing is contextualized and everything is context —” to the conversation the piece is in with the essay ‘on goncharov’ as self-referential && additive; and the piece’s having a whole “landscape” quilt of Ownership breeding Action breeding Inaction breeding Laziness linguistic pipeline does not survive with a whole lot of sense as it lands here in the comment section.

But……… that won’t stop me from making a new friend, so! Hello! These dimensions are going to seem random or unhelpful, which is super sad because they are not random, society just has their genre and their discipline and their definition (well, domain-specific, but still…!), and cracking any of these eggs is equivalent to theophagy for their baby area of research. Oh, well! Welcome to the hub wor–(looks at word count… looks down… shuffles away mopedly) Have some hard links.

Where I, in the style of gift game, post 50 links and hope one or two shotgun-speak to your specific sheep-anatomy and sheep-path into the fog, you’re not going to like the links. My brain is not “for the parlour” of academic writing, so the way i cobble together claims have a way of upsetting the guys of the world where it’s actually better (for me) when i don’t answer these questions than when i do. Some of the tabs i have open, played media in my recycling bin, and files under the lie reading Now Reading on my device:

https://jared.blot.im/how-to-read-violence%E2%84%A2-1999 https://archives.evergreen.edu/webpages/curricular/2011-2012/venezuela/files/2011/08/Dixon-Another-Politics.pdf Fuzzy Coherence: Making sense of Continuity in Hypertext Narratives by Jukka Tyrkkö https://bigstuffedcat.itch.io/goncharov https://trace.tennessee.edu/cgi/viewcontent.cgi?article=1306&context=tsc Into the Fantastical Spaces of Contemporary Japanese Literature edited by Mina Qiao https://pds.cdnstream1.com/p/opb/timber-wars-season-2-sal-760bb5/ep-2-the-treaties/audio.mp3 https://repository.usfca.edu/cgi/viewcontent.cgi?article=1609&context=diss https://chtbl.com/track/G41498/cdn.simplecast.com/audio/812a2932-f271-4e9b-a23f-8d2d443a1682/episodes/7d6b220f-e690-43e8-a292-94cdd6a5776b/audio/fae63869-b7b8-4312-b3c1-31e4524c075d/default_tc.mp3 https://mariabumby.itch.io/arch-angel-dating-simulator https://egrove.olemiss.edu/cgi/viewcontent.cgi?article=1363&context=etd The films of Mitani Kōki: Intertextuality and comedy in contemporary Japanese cinema https://traffic.libsyn.com/secure/axrpodcast/Quintin_final.mp3?dest-id=2517215 https://traffic.megaphone.fm/NSR1952496254.mp3?updated=1697202825 Mathematical Imagination by Matthew Handelman Major contributions of Leibniz to Infinitesimal Calculus by Child Projection-based Topology Optimization Method for Linear and Nonlinear Design by Hao Deng https://duckduckgo.com/?q=%22causality+sickness%22

Where I tell you At the Ass-End of Power is the name of the body text composing these comments we’re making under the download link to your project, I apologize! It’s reply-guy-level self-referential, evident in the way it quotes its later self, the crow is just the crow of an idea appearing previously in the text, reification play :weep: This is because (content warning: rant/skip to next section/abandon thread) 2+2=4 has been normalization reification swordpoint “How do we equate these for all cases n where n is the human condition?” wielded as a hate-crime on my lived experience and reality — if cops break down your door of theseus are you the same person opening that door [picture deleted bc I’m not getting paid for this and it hurts too much] — and must be exposed as the moving goalpost of causality that it is. Too much noise exists at the speed of information we have necessitating a need to work at if we are to curb the effects of normalization while also allowing 2+2=4 to be true in any hunab context let alone the “””””work””””” of redistributing power or divorcing power for incumbent systems — the lens of human math is still too shallow — it still leans far too heavily on zero and zeor’s ability to ablate things, normalize things, to “zero the noise out”, like the noise in 2’ isn’t complicit in the — wait for it — “value” of 4, (that wasn’t so bad! Look at those scarequotes, they’re barely chainsaw dogs) only the “thing-2” part. So uniqueness or signature in all lived values is a must and that’s what the self-referential properties of At Ass-End of Power is supposed to be, a litany toward sticking zero over in its proper place: the chest at the foot of humanity with the rest of its x-risk toys. And just doing the more compute-intensive thing of (yes, bringing an end to text, but also) bringing the humility before practiced Incomprehensibility back to study. Unfortunately, this sounds like “bringing god back to life” and, in a way, it is, but only in the effigy sense, since leaving “no god” ends up deifying the terms themselves (Death, Love, Shadow, Solo, Red, Snow), actually putting god there as a pressure-release valve frees the words from being typecast by the brain into hierarchies. It’s the dismissing/shaming people believing in which god or not that’s the actual pulling out talons from each other during play sessions that’s the wound — not the believing or disbelieving, itself. And that is why the comment ends on the image of extraction, because no matter what I do, if I want to be comprehensible, I have to be distillate. (end: messy …Ass…rant)

Where I answer theoretically, experiential and performative works aimed at lived unlearning of power dynamics could be impactful. Imagine you are typing out, copying text to a computer, what are the words appearing on the screen? Poetic texts, manifestos, semantic inventions or new linguistic models - invaluable. Imagine harder. Enacting these ideas through constructed meanings allows us to transcend inherited limitations. Imaginatively reshape perspectives on power, with language’s boundaries, take play to its inevitable conclusion: end something.

Where I answer with a dartboard of inoffensive-to-head-librarian-sensibilities books:

                        Amiri Baraka,                         
                Hope Jarren, Leslie Marmon Silko,                 
            Audre Lorde, Derrida Deleuze Foucault,             
          Murray Bookchin, Antonio Negri, kari edwards,          
Theodor Adorno, Subcomandante Marcos, Zapatista, The Dispossessed
          Wendell Berry, Tristan Tzara, Diane Di Prima, Guattari          
             André Breton, Gary Snyder, Silvia Federici,              
                 Gloria Anzaldua, Max Stirner,                 
                        Neil L. Whitehead                        

(throw a dart, with your phone, take a picture of the result, show a librarian, read whatever book they give you.)


†And even if the anarchy in your area is not a healthy community, you can still meet a (or some of the people)/person you’d be housemates with, and two seed the oil-dispersants of dismantlement through an egg carton bottom dabbed repeatedly over scrapbook pages wearing wet paint taking deer shapes on them through paper towels finding hands in kitchen ritual. And 7 power-less bodies living power-less-ly together in a house is better than 1.