SPoilers:
Theme: Saying the theme in one moment does not quite make a theme.
Story: Performative live-action movie date for their friend (who they forced in as part of the scene). Very brief, with no time to breath with fourth wall breaks that didn't fit within the pre-existing structure (whether through Misery (the real Draky?) or the characters themselves commenting on it?) Unless that narrator was also supposed to be Misery but then why was Misery also the narrator in those moments?
It felt very much like those 3d model videos of the man and the woman only speaking gen z slang, but inconsistently at that. I suppose it does align very truthfully with what their poorly thought out narrative would be, but that doesn't quite make it interesting to read a hodgepodge narrative.
The thing that's missing compared to those videos is how they commit to the awful bit, where this one keeps pulling back and undercutting itself, as though not confident in the idea (and then we felt not confident in what the story was telling us because the story kept telling us that things were going wrong (which sure, but for stuff that felt primarily imagined(?), that creates false stakes of wrong vs real wrong stakes to latch onto).
Presentation: I appreciated your dragon scene, and your attention to the details throughout, although the black abyss and the attempt to lampshade the "Funny moments music"... I'm not sure if they did you any favors.
Also wild to not even allow for music volume to be adjusted lol.
Your narrative made lots of items feel disjointed, even if authentically necessary within the narrative, which made the accompanying presentation also feel disjointed at times.
Creativity: Well, trying to replicate the vibe of like teenagers performatively doing an extensive tiktok and not being well rounded enough at absurdist humor to really sell it is a wild take, and I applaud your ambition.
Overall thoughts: I came out feeling wanting. I wonder if we had more time and more consistent through lines if I'd be more on board with the premise, as opposed to the story consistently interrupting itself.