Imagine a Home: the minor 7th interval with sparse notes in between is instantly compelling. I love the winds peppering in slowly. It's vague, ungrounded, yet clearly leading towards something. There are a few issues with quantization, and I'm only being picky about that because of the quality of the composition!
In the City: when making comments for these jams, I always caution against looping things and simply adding other instruments or lines over time-- it can easily begin to sound really repetitive, to the point where even the added drums and percussion aren't quite enough to make this sound compelling. Maybe have things switch up when the drums come in? New chords, a new drone, or even just a transitional bar where we get away from the arpeggiated synth for a moment?
Floating in Space: the return of the sparse, fluttering woodwinds! These create a really compelling texture, but are somewhat grounded by these unchanging chords. This piece has good roots, and I would've loved to see what you could have done if you shifted away from the loop model.
By The Ocean: here, the grounded drone works really well. The melody being handed from instrument to instrument as the piece swells, and eventually some counterpoint, combined with this lovely modal harmony, is pretty divine. You clearly have a knack for building tension!
In all, I'm impressed by your opening and closing tracks the most. Good job, and keep writing!