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(2 edits) (+13)

this is probably the best story in this format I've read on the site. I've been bingeing a lot of them lately.

initially, I was kinda disappointed, because this isn't a game that relies on a wide assortment of choices to provide flavor in conversation. in general, you won't have more than three, and though there's nothing wrong with a slimmer selection objectively, I really enjoy that kind of dynamic approach to dialogue and actions. sticking around for a few chapters was plenty to show me why, though: the game is extremely reactive in terms of character traits. it's by a wide margin the best job I've seen at really seamlessly integrating your chosen personality into the story. though I enjoyed making choices when I could after the personality traits were locked in, it's largely giving you a say in things that are important rather than the idle minute to minute and just giving you the content that you want in-between. it's honestly really impressive. I made my character and she acted EXACTLY how I would've wanted her to, and with a way deeper granularity and way more consistency than I think could have been pulled off without stopping for choices every time your character speaks, which makes it a better and smoother read. either that, or I just lucked into a particularly well written personality, which I think is, y'know, unlikely. I think I prefer this style a lot more now. I just hadn't seen it done this well before. 

I really enjoy the characters, the world-building feels fresh even when it's building on tropes, the slow-burn romance doesn't feel too obtrusive or too out of the way like it can often in this format, so everything just feels really well balanced and there's always something interesting going on. another thing I enjoyed was that the game offers you a lot of choices where the outcome is going to only be presented at a later date, so there's no rewinding because you picked a bad option unless you're dedicated, and I think there are few strictly bad options anyway. a lot of it is deciding direction or priority. I like that you're encouraged to live with your consequences. I got just enough information to have to chew my lip over it at least once a chapter.

that reactivity is definitely the thing that impresses me the most, though, because the general good writing aside, I wrote a few sample scenes in harlowe after playing this to see how it feels and that is SO MUCH WORK. so I have a lot of respect for it. you must have written these scenes like four or five times over in some places. 

great work :) I'm really looking forward to see more, and although ofc please don't feel pressured to answer, I'd love any advice you have to offer on how you've approached that reactivity I'm enjoying so much, or in general? I might write my own sometime. also, you made me cry. thanks, and sorry for the wall of text <3

(1 edit) (+11)

First, thanks so much for the wonderfully thoughtful comment!! Never apologize for writing walls of text, especially one filled with praise, I love seeing it 💖💖💖

To answer your question, I think a lot of the reactivity you mention noticing in the game has to do with two things, at least for me: writing pace, and prioritization.

I can only speak for my own writing process, but there's a certain flow to my writing that works best when I can go long stretches of time without being interrupted. It helps me focus and immerse myself in the scene, which generally allows me to visualize my writing and makes me more productive as a result. In an IF, however, having to write and code choices and different branching scenes and routes are all interruptions.

The more time I spend on inserting choices, the less progressive writing I'm doing, and the less I feel like I'm progressing with the story because I'm stuck on a single scene writing 6 different variations for it. That's why, realistically, as a single person working on this IF I can't insert a wide range of choices, or even regular choices for dialogue, because that would absolutely kill my writing flow. Even if I only wrote one choice and continued on, backtracking to write out the other choices is exhausting.

There are IFs who give regular choices for dialogue scenes, however, but these tend to have no (or very little) overall impact on the story. I love writing flavor as much as the next person, but personally this kind of choice-system frustrates me. More often than not, a writer who uses a lot of smaller choices has less time/energy to spend on writing larger, more consequential variations. As a result, I often end up feeling like my choices never matter. That's also where prioritization comes in.

By not spending as much time on conversation choices, but rather plot, relationship, or MC character building choices, I can focus more on writing variations that actually matter. It's still tiring to write the same scene in 6 different ways, but it feels so much more rewarding to me because I know I'm writing a variation that actually impacts the story and shapes it for each individual player.

I think with the MC's character traits in particular and the variations related to that, it's easier for me because I'm a very character-focused writer. Character building and development is what I do best, so writing different variations for different personalities isn't that difficult to do for me. Adding traits that intersect with each other also gives a more specific flavor to a Crown's behavior. For example, a blunt/cautious Crown will address the nobility differently from a blunt/adventurous Crown, and especially so from a charming/adventurous Crown. That way you can create added layers of personality to what is otherwise a very straightforward system.

I hope this gives you a little more insight, and helps with your own writing!!

(+5)

I'm really glad you appreciated my comment :) this has given me a lot to chew on as I work on fleshing out my setting. as much as I like writing, I'm very much a novice and I haven't ever really completed a project bigger than a short story, so it would be pretty ambitious for me to attempt something on the scale you're doing. 

it does give me some insight and some ideas on how to better approach these dynamics in my work in the future. and you're definitely right; the more small choices IF has, the less they tend to be meaningful or impactful. they're fun, but it makes sense that time could be better spent towards providing a more consistent kind of depth instead. I like the idea of locking in traits a lot to manage that. and I hadn't considered at all how the personality traits would pair or intersect, I was thinking about them piecemeal, so that's another good angle to be aware of.

hmm...ok ok!! thank you very much for the advice. I have similar goals as a writer I think, so it's super helpful. 

be well and looking forward to the next update <3