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Things being Swingy means to me that characters do not become invincible; many Retroclones are built from versions of D&D  where you can't end up with a character hith more than 50-75 hp  (and frequently a lot less- some have max hp below 40, and the OSR informed game I play, GURPS Dungeon Fantasy, has Max HP for the toughest humans at 30 and the largest barbarian ogre at 45).  While dying is the least interesting thing that can happen, immortality is the next least interesting thing. If you always choose to fight instead of parley, sneak, or run then you will die. It may take a while, you may have exciting adventures, but sometimes you will encounter situations or opponents that are out of your league, or you may make a bad decision, like trying to jump a pit, or climbing without a rope, or pulling the wrong lever.  Recognizing the risk can make decisions more thoughtful, and dying to save someone else, or out of catastrophic failures can be the stuff of stories told for years afterward. I know my group commemorates some of the wordt PC deaths, and we joke about some if the mishaps that lead to PC deaths over thirty years ago to this day.

I personally don't unreservedly endorse this list for what definitively constitutes an OSR playstyle; and indeed no one is putting it forth as definitive. Googols of electrons have been spilled on this subject elsewhere. But, addressing the points that you dislike: 

Re: 6, I think 4 supersedes it and it is not terribly important to defining the OSR playstyle.

Re; 8, I'm not sure you elaborated on that?

Re: 10, I agree, and I don't think *literal, frequent lethality* is definitive of the OSR playstyle; I personally play with some house rules that cause wounds which decrease ability scores at 0HP, though taking significant damage in one stroke can still spell instant death. The point is real, harsh (if warranted) consequences for your actions to help accentuate PCs' agency and a reactive world, rather than situations like 5e clerics reviving people to fighting condition literally before a turn passes while surrounded by foes.

I'm still having trouble with the idea that the OSR only would have rules for direct conflict/combat, when avoiding that is entirely the point of the game. D&D's rules are mostly about combat too, and many other games have a similar framework, but in those games the combat is the point. It feels incredibly counter-intuitive to have a game where the point is to not use the rules.

I'm not quite sure where this came from. Most OSR rulesets do not "only have rules for direct conflict/combat". I think the usual defense of detailed rules for combat is that it represents a high-stakes situation, and so the involved parties likely will desire clear arbitration of how things occur. But check Into the Odd's combat system for a counterpoint:
http://www.bastionland.com/2015/03/describing-auto-hit-in-into-odd.html
http://www.bastionland.com/2017/05/decisive-combat.html

"10. You will die"

I think this is better stated as "You can die, and it may be at an inopportune or 'dramatically inconvenient moment'" In other words, being a PC doesn't grant them immunity from grave consequences.

"And lastly, "you will die" gives me the issue that... narratively, death is the least interesting thing that could happen. If a character dies, that's the end for them. There's no further drama, laughs or tragedy to be had. It's on this point that I don't think OSR games should really call themselves role-playing games, if this is their focus. They are very much games, but if cycling through multiple characters that die is the point, and its focused on what players can do rather than what characters can do, all those points together make it feel more like a board game with less rules than a role-playing game."

I agree that death as a consequence is one of the least interesting consequences, along with no lasting or serious consequences. I personally have PCs being down at 0 hp in a state of uncertainty until another PC comes to check them with a check penalized by time since 0 hp. and I've also offered other consequences of being downed like dismemberment and the like. Oddly, I've never had any players take me up on that, not even letting me get to actual possibilities of it; choosing death and reroll.

And like David says, I really don't think that even at a basic level, both in rules and in actual play, for death to be a permanent discontinuity in a narrative, such as you can have in D&D.  To me it feels like a reaction to the continuous ease of surviving death and the 'Level Appropriate CR Encounter' mode of 3e onward. Which is as the default CR equal to Average Level is basically 4:1 odds favoring the players. The immediate risk PC death is minimal by design.

There is the play-style of each PC also has a henchperson as well as hirelings which should the PC fall could become the newest PC, maintaining a certain amount of continuity through the shared experiences the previously NPC had with the party and their relationship with the slain.

There is the erase or add a suffix to the PC's name retaining all stats making death to be more of an inconvenience, and in the case of a suffixed name, or even a new name, the 'new' PC is a relation to the prior, with any and all prehistory between them and the drama of "oh my dear sweet dead relation." As well as the rolling up a new character and gaining an inheritance. 

In these cases, yes the PC is dead, but their death is added to the collective's story.

This does ignore the constantly dying at level one situation which means there is can be very little growth and continuity, which is a complaint that is made. This is also where the rewrite the name on the sheet thing most frequently comes into play.

But more importantly, IMO, than these ways of creating continuity through or despite PC death, is that within the Cook/Marsh Expert D&D book it says to make sure the starting town has some kind of temple with a cleric of sufficient power to cast Raise Dead. The Moldvay Basic book doesn't because it doesn't include spells of high enough level. And these two books, B/X, are one of the main editions of D&D to have OSR games based on. 

TL;DR(?)

"You Will Die" should be "Death is a real consequence." And it's more of an immediate consequence of reckless action and an acknowledgement that PCs aren't necessarily favored by fate.

If you look at B/X, most of the rules are to do with exploration, then combat, with a smattering of social rules (reaction rolls, hiring mercenaries, charm person -- though the latter could be viewed as combat). Though it's true - some OSR games leave all that stuff to fiat, and only have carefully delineated rules for combat, usually justified with that argument that combat is where the game most needs to step in and provide rules, not rulings.

It *is* pretty counterintuitive though.  "Combat is usually a bad idea" is usually an emergent property of the ruleset and is often a lesson that needs to be learned. PbtA games do a much better job of using basic moves to set expectations. Now I don't think that makes the PbtA approach *better*, a OSR ruleset can also just say "hey, treasure=XP in this game, so killing monsters is an unnecessary risk. Think about avoiding them or stealing from them instead". But because many OSR games assume an experienced audience, that advice often gets left out.

I agree that death is often an uninteresting consequence. Some OSR players definitely enjoy the revolving door of characters and black-comedic deaths. I think for others, it's more about the *threat* of their character's death to make consequences feel real. And because OSR generally doesn't go for illusionist DMing, that threat needs to be backed up.

Some people instead go for "your character becomes increasingly scarred", but I think my next game will instead go for forced retirement except in cases where survival is absurd. Your character is still around, but they're an NPC now.