Beautiful, beautiful arrangements! I love how clear the Japanese influences are with really nice chord inversions, 4 and 5 stacks (if im hearing right), great dynamics and expression in each of the instruments. In that sphere of Japanese composers, I personally try to study Keiichi Okabe + Monaca Studio's and early FF compositions and I know how intensive it can be to study those styles. I can feel your love and appreciation for this genre and I know you've definitely worked your butt off to replicate this delicate style. One of the main components I think you've gotten down really well were the string programming, it really sells the FF melody building, and the overall structure through your articulations/expressions.
My small feedback is that some of the solo instruments, such as the Harp in Track 2, are a bit too loud in some parts. Also, I feel like the string dynamics in the beginning of Beyond The Meadow could've been held longer to help ground the beginning phrases.
(Also, what string library are you using? Definitely going to get it no matter the cost, I need to stop using stock kontakt for inst. ensembles ;-;)
This was such an ineffable listen and I appreciate your craft wholeheartedly! Looking forward to hearing more.
Also saw you referenced final symphony and cynax so I know you're tapped in >:)