Gives off a tune for daily life exploring a very soft, meadowy landscape. Props to the recorded guitar and vocals, enjoyed their usage. Only lil feedback would be the vol of some of the tracks and the processing of the guitar, but even then it sounds nicely fit.
Don Gi
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Checked them out, love them completely: Definitely hear the FF stuff (13 or 14) esp with the build up, def with the flute runs! It feels a lot busier than the stuff in Tides of Fate, big fan of both directions but im definitely biased towards these just for the filtered percussions, synths, and long delays;
Also what's the perc at 0:24 in Battle? I've been trying to re-create metal-y tone stuff by processing anvil hits and it never sounds good
Thank you!! Definitely will work on that in future compositions, took a very one dimensional approach in this comp with the melody & sections so I kinda just followed it and repeated it, def would've sounded better with a diff section in the beginning or somewhere in the middle for contrast. I appreciate the feedback!
Thank you!!! Listened to a bunch of FF tracks so I totally get you, futuristic sfx + traditional/ethnic instruments is always satisfying. I get you on the direction part, kinda had to get it to fit later on so I was just staring at the picture for a while. Would love to hear that direction if you go with it in future submissions, still think you did it really well nonetheless!
I have indeed been playing and listening to a lot of Replicant and Automata... Really inspired by dynamic/layered tracks so I was gonna flesh out the idea to have 3 tracks:
- One that's more folk and barebones with the melody
- one full orchestra + some traditional as if you're in a town,
- anthen like a full on boss battle
Definitely gonna do this next jam (hopefully)
Thank you for the feedback! I probably should have added more instruments to lead/accompany but I think my memory and ram exploded so I just went with what I had. It was less of a traditional orchestra and basically just a mash of string instruments + high timbre woodwinds in the background. Near 2:30 I have the mandolin play it too, but its mostly just the solo violin again. My programming skills with horns and woodwinds are definitely lackluster, so I once I experiment with them more I'll definitely look towards something like Miyazaki's work for section arrangement!
Love how wide it sounds! Big fan of how you used delay to fill up the space, sounds really underwater-like too! Like how you added vocaloid, very unique in the comp! A little feedback on it would to add more vol control there, also couldn't shake it out my head that it was Puppycat (prob the same voicebank) singing...
Good work!
Awesome production, love how well you dove into the narrative aspect with both the title and the final boss, Love the atmosphere you built with the shimmers, reverb, reverse'd percs, and all the fast tension releases! Really great listen, filled all the whole stereoscape with beautiful design and control. Amazing!
Very nice work! Love how expressive each track is as they meld into something new! Very groovy, fun, and unique tracks that all stand out. Only small nitpick would be the quality of the guitar on Title Theme , other than that I think everything else is great. Love the atonal melody you use in RAM-EATER, works really well with the bass and percussion. Awesome stuff, def hear the Earthbound influence in the groove/sound selection! Really fun listen.
Beautiful, beautiful arrangements! I love how clear the Japanese influences are with really nice chord inversions, 4 and 5 stacks (if im hearing right), great dynamics and expression in each of the instruments. In that sphere of Japanese composers, I personally try to study Keiichi Okabe + Monaca Studio's and early FF compositions and I know how intensive it can be to study those styles. I can feel your love and appreciation for this genre and I know you've definitely worked your butt off to replicate this delicate style. One of the main components I think you've gotten down really well were the string programming, it really sells the FF melody building, and the overall structure through your articulations/expressions.
My small feedback is that some of the solo instruments, such as the Harp in Track 2, are a bit too loud in some parts. Also, I feel like the string dynamics in the beginning of Beyond The Meadow could've been held longer to help ground the beginning phrases.
(Also, what string library are you using? Definitely going to get it no matter the cost, I need to stop using stock kontakt for inst. ensembles ;-;)
This was such an ineffable listen and I appreciate your craft wholeheartedly! Looking forward to hearing more.
Also saw you referenced final symphony and cynax so I know you're tapped in >:)
Love how each instrument has it's turn to play/accompany the melody. A lot of nice sound and instrument selection for the idea at hand too. The vocals feel synthetic yet fit right into the arrangement and work really well with the melodies. Your string arrangements are also very impressive, love what you did in Revenge ! Great job, nice melodies!
Love your instrument selection deeply! They all bring rich warmth into your mix, as solo or as accompaniment. A lot of clarity in your mix, so I can appreciate the expressions and dynamics more intensely! Your piano playing is wonderful to listen to with a lot of satisfying runs and chord tones! Nice job!
Very nice chiptune tracks! Loved the opening sequence you had, them delved all the chiptuney greatness. I can hear your influences via your melody and harmonies, very reminiscent of Gameboy track limits, really great work conveying that. Like others have mentioned, I think a bit more expression within the sf themselves would bring this to another level of production! Maybe even incorporating the orchestral elements you had in the opening track too.
Overall, great stuff, really nostalgic!
Very good artcore arrangement!!!! Really big fan of the short release piano runs, and especially a big fan of how you proccessed the strings! Definitely gave off NiER vibes in terms of arrangement and melody construction. Mix was very clean, very spacious, and allowed inst. sections to have their turn. Awesome work!
Really love how you arranged all of your tracks, with contrasting A and B sections that flow into eachother through multiple means! I also love how the initial melodies always expanded and grew as darker/gritter instruments were added into the arrangement. Your mix felt full yet allowed instruments move freely within the arrangement, Your ideas were fairly unique and every track was a fun and transformative experience! Nice stuff!
Loved your arrangements! I can hear a lot of east asian influence in the melody construction + instrument sections. A lot of careful section choices made the melody flow from sections to sections really nicely. I was also a big fan of your ethnic instrument use in certain tracks, especially in setting smaller scenes. Small bit of feedback was that they felt segmented from the traditional orchestra compositions (in ghibli-esque style), and I would've loved if one of the larger tracks such as Haruka's Waltz andEscape to Reality also included them in the mix, it would've brought it to a whole other level! Other than that, really great compositions!
Definitely one of the more intricate sound design submissions, I love the blend between inharmonic and harmonic elements in the earlier tracks! I also loved how you use your textures and idm percussion, and also the color/botanica granular sound design in the first track and other tidbits. It's a really nice OST, very digitally modern in it's design!
Wow! Love the soundscape you've created through the use of organic textures, reverse pianos, and otherwordly vocals! Your sound selection works really really well. Your piano arrangement is also amazing in the 2nd track, love the runs you do, really nice expressions! It feels nicely tailored to the atmospheric, etheral, and worldly tone. I also noticed how seamlessly these tracks interact with eachother, seems like they could intertwine forever. Awesome mix, fits beautifully as is. Nice stuff!
Really impressed with every section! Think you nailed the underwater/bubbly aspect of the theme really well. I think your processing decisions for the delay and reverb were perfect for setting the scene in the arrangement. Really impressed with the mix too, even with the short amount of time you had due to injury. Great work!
Really loved your instrumentation selection! Think you laid out the arrangement very eloquently with the ethnic elements. Always loved to hear when you introduced mid/higher clarity percussion into the mix, completely changed the dynamic. Also really loved how Chlild and Sea developed and bloomed into full intensity. Really great OST submission, nice work!