CHOIR - Heh... I love that crazy panning. It sets the atmosphere of something massive and fast moving. It's like I'm standing still and everything around me is flying and trying to warn me of something.
WALTZ - TIME FOR A CRAZY WALTZ!!!1!
WALTZ2 - The pianist sobered up a bit, and decided to tell us what he saw in his drunken frenzy. This “something” is very tragic
BEFORE THE STORM - Honestly? I love the beautifully blended melodies of classical instruments and breakbeat. It's like we're looking at something that has a beautiful shell but a troubled soul.
SUBVERSION - AHHH I WAS SCARED... a good amount of crazy. The overall craziness and vocals make it feel like I'm listening to Rob Zombie, heh) (I LOVE the BROKEN INDUSTRIAL VOCAL)
HEARTBEAT - Saddle time, along with... accordion? Something sad sounding, and the music becomes more and more “broken”, as if we're hearing the aftermath of a soul screaming out of SUBVERSION. Someone's fear...
BROKEN - So... first of all, I love the whispering. Second: our poor hero has finally lost his mind. That's it. He can't be fixed anymore, he's broken and lost. No one can help him and he doesn't need anyone. All he can do is burn out in his own cycle of madness and fear.
THE VOID - The last notes of reason, in the form of a melody trying to be “beautiful” but scarred by past madness. A broken ending to the story, appropriate to the state of someone who has lived through everything that has come before.....
I loved it! You perfectly captured the inner state of a “broken” person. I loved it!
P.S. Sorry for elaborating a lot, I just really love conceptual music with a lot of meaning, heh)