Great track, good vibe. I think it does capture the game really wel. The choice of instruments are good and wel composed. I love how you the focus of the instruments flow in terms of focus in the writing.
I do think the mix and sound of the instruments feel a bit aggresive especially in the higher parts of the spectrum/instruments. Which givese it a bit of a busy feel, instead of a more relaxed vibe. Everything feels a bit to much in the front of the speakers.
Amazing thank you!! Like I said to another guy here, I learned to mix essentially the week of the jam (two courses) but I still can’t spot properly what is right or wrong (even though I could tell the guitar was too aggressive but was not able to tone down the brightness properly yet) the rest felt okay to me personally on my Beyerdynamics DT 1990 PRO + Sonarworks to flatten the response to apparently professional standard.
Soooooo…
TLDR; My ears are super bad xDDDD
Anyways I appreciate it, it really echoes what most people have said to me and I look forward to gain in experience so the mixes become more “competitive”.
I’m also thinking of getting maybe two more pairs of headphones to try and have some more feedback on different material, so thanks for the great detail on your setup!
So,. I could talk for hours on setup and gear, I work as a sound engineer.
I would say.. and not everyone might agree with this.. but if you want to learn to mix.. its far more important to learn how things sound on your setup. An approach to perfect neutral audio is a long and complicated journey. You're headphone are a good set of headphones.. I would go for studio monitors next. And mostly.. listen, listen, listen. Get to know your favorite songs really well and use them as reference.
There's not really rights or wrongs, experience is important in this.. to know your ears and the system and goal your working with. Offcourse neutral is good.. but you can train your ears to make decisions when mixing without a perfectly neutral setup.
Learn how the digital instruments you use, would sound accoustically as a real instruments and where they fit wel inside the mix. Technique and tricks can be learned, but experience and workflow in how you approach the topic is what I've always found more important
All ears are different and mixengineers always make different decision on their opinion or the artists they are working with. So there's no right or wrong. Criticism is constructive and an opinion of where I, or someone else would make a different decision. (I also am never happy with my entries and keep hearing things I'd like to change!)
If you need help or struggle with a certain feel free to ask for help or insight from different composers or engineers!
Sorry for the long reply, but I hope that that helps, feel free to hit me up if you struggle with some technical aspects 😉
I'm super grateful for the long reply!
I didn't catch your discord but a sound engineer dm-reachable YES PLS! xD
A lot of good points, thanks for all the context!
When I meant doing right or wrong, it's mostly in the context of like you said lack of experience. The setup is all new and I'm new to mixing, so there's definitely a lot of listening like you said that needs to be done to become just better at knowing how to make the right decisions (even though like you said, there will always be subjective choices).
Thanks for the great write up and recommendations, I really appreciate it!