The bends, dynamics and tenderness of the koto and guqin are breathtaking. The transients on these instruments are really loud and a bit jarring to my ears, but don't detract from their beauty. I'd like to hear you break out of the minor key more often, but it does set a sombre and introspective mood. This is amazing work. You really pull so much life out of each instrument that even such a sparse arrangement sounds full and engaging.