Listening to these three tracks has been quite an intriguing experience, especially from a composer's point of view. The first track feels more like an exploration of soundscapes rather than a traditional musical piece—it’s fascinating how sampled noises can evoke such texture and atmosphere, even if it doesn’t follow a conventional melodic or harmonic structure. The second track, with its extended pad on a single note, challenges the listener to focus on subtle shifts in timbre and dynamics. While it might feel minimalistic, it’s a bold statement in patience and restraint. Finally, the third track starts to unfold with more musical elements, and it’s here that I feel a stronger connection as a composer. The interplay of ideas and development hints at a narrative, which makes it the most engaging of the three for me. Each track, in its own way, offers a unique perspective on what music can be, and I appreciate the creativity behind them, even if they don’t all align with my personal approach to composition.