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(+1)

Really cool! It is the kind of track I would see myself making given the weird but interesting choices you made. The switch from 3/4-metric to 5/4 to 4/4 back to 3/4 was cool for me! I don't know how other people will react to it (people tend to dislike metric changes sadly) but I loved it and I think the bass-line was simple enough for people not to get too confused or caught off-guard. Though my goodness, even within these already confusing changes you managed to trick my ears: from 1:23-1:28 that bass-line is pure evil!
The starting measures repeated 4 times, which was júst enough for me not to get annoyed by it, so nice timing there ;). Overal, I really like the song! It gave the mystery I would have expected from a book- or library-town, was challenging but rewarding to listen to (from an analysis point of view at least ;), and overal sounded great. Well done!

(+1)

Thank you. I tend to make weird choices when making music even if the larger portion of listeners dislike meter changes. I like tricking peoples ears, for example the 5 over 3 stuff in the beginning, but I'm glad that you were able to grasp these things and give feedback on the odd stuff that other listeners might not notice.

(+2)

Excellent ! I didn’t notice the switch of metric ! That’s very well composed because it’s pleasant to listen (it can bring confusion sometimes but not here)