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(2 edits) (+1)

Under The Mountains Dark And Tall

I really like the sound of this one, I can definitely hear the warlike sound of it too! I really get the sense that something dreadful is about to happen, like this buildup of tense energy, which I think is achieved by the staccato of the cello alongside the deeply resonant drums that kind of ground the song. I do kind of feel like the song could do with some higher strings coming in at some point, maybe in the second half. I feel like that could add more emotion and suspense and give the song a stronger climax too. I don’t know a good example of what I’m thinking, maybe kind of like the song “The Curse of the Sad Mummy” from League of Legends (around 2:40), I know that’s not exactly a war song but it’s what I’m imagining lol. Giving the drums more presence could work too, it would give the song a more stressful climax, which is also fitting for it being warlike.

Farewell We Call to Hearth and Hall

I love how sad this one is, the piano is perfectly gentle and you did so well on the vocals! I mean the layering, the softness that’s almost like a lullaby…I just love the harmony! I don’t really have anything else to say about this one, it was very nice :)

(+1)

I think I would say I didn't quite fully develop the whole piece in the musical sense of the word development, where things are added in and it builds and those things are related to each other. The intention is definitely for it to build up. I'll have to think more carefully about doing that, especially because that's what allows a song to be repetitive without the repetitiveness becoming grating.

I like the idea of some punchier drums. The context here is that Bombur is the drummer (lol)

Good feedback! Thank you!