Post by Thraxx Media in Version 0.2.0 is out now! comments

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Hi there,

thank you very much for the feedback! Please allow me to address a few points you raised, to give you a better idea of the design decisions behind them:

a) Movement physics in this game, bare bones as it may be, were extensively tweaked and tested. While I know exactly what you mean, and I perfectly understand where you’re coming from with your assessment, those mechanics are very unlikely to ever change; at least not in the way you suggested.

The reason being that this is highly subjective - I’ve personally played a couple of indie platformers where the character behaves exactly like you described (i.e. abruptly stopping mid-air, killing all momentum); alas this is just not how physics work, and feels very jarring and unnatural to me.

I imagine many others would say the same. Popular examples of platformers with proper momentum: Super Mario Bros 3, Super Metroid. I’ve never heard anyone argue that the controls of these games feel “less responsive” in any way.

b) Regarding the somewhat unclear tutorial text instructions, I will agree that in part they might be a bit confusing. However, they’re not wrong: you do in fact lose the ability to call Luna (not just the double jumping, since that is inherently tied to the squirrel) both whenever you die or lose all health as Bella.

I’ve just tested this, and it’s working as intended. The reason why you may not actually notice any difference upon respawning is because you appear right on top of the last acorn you picked up, instantly restoring that lost ability - as indicated by the same pickup sound. Bella doesn’t have double jumps (much like Luna doesn’t have any form of attack), and while it may not be evident from whatever content is currently there, this still factors heavily into the overall game and level design philosophy.

Seeing that the project is “on hold” at the moment, I wouldn’t be able to give you any date or schedule for when new content will be added though. My sincerest apologies.

c) The “Tower Attack” mode is not a “Bennet Foddy clone” but rather a “Jump King clone” if you so will. Therefore, since the mechanics in both games are nearly identical, they are likely not changing either. I understand that it’s not for everyone, but that’s precisely why it’s an optional mode, disconnected from the main story. The name is NOT meant as a genre identifier, but is subject to change, like most of the UI and flavor text still is. So I will keep your feedback in mind, since I had actually no idea that a genre called “tower attack” even exists.

d) I agree on the boss fight being a bit wonky and not very satisfying. Turning a stationary object (like a tree) into an enemy encounter poses a unique challenge that needs iterations and fine tuning. Again, I’ll keep your feedback in mind and am open to any kind of suggestions.

e) The “optional area” in the bottom left corner of the map is a prime example of “work in progress” - while nothing is stopping you from exploring, currently it serves no purpose, but will do so eventually. Whenever that time comes, please expect the area to be reworked to accommodate any changes made accordingly.

Thanks again, and I hope you had a wonderful holidays.

Imaynotbehere4long1 year ago

I can respect that, but you should know that it's equally unnatural to have your entire momentum ricochet in the opposite direction upon pushing the other direction button, which is how your game works right now. My original suggestion was twofold: 1) ground movement already responsively stops your momentum completely upon letting go of forward (even though both characters are running and would realistically slide forward a bit upon abruptly stopping), so duplicating that for midair movement would add congruency to the controls, and 2) you make the player jump on several one-tile-wide platforms in a row, thus making the player quickly push left/right alternating to avoid overshooting/slipping back instead of simply letting go of the button. This is annoying, not challenging.

You reference Mario 3, but that game merely slows you down at first upon holding backwards, thus eliminating the back/forth issue since you can just hold back for a bit to stop all momentum. Plus, Mario 3's ground movement also has momentum, meaning the player doesn't have to learn and instantly flip between two different movement physics within the same game. Even Super Metroid doesn't quite work the same as your game, because if you tap backwards quick enough, you kill your momentum and fall straight down (and even holding backwards, it takes a split second for you to actually move in the other direction).

By the way, both of your examples have run buttons, giving the player even more control over movement/momentum. Your game doesn't have a run button.

You want physics? You want momentum? Then COMMIT, because right now, your game's controls are much closer to all those indie games you take umbrage with than either of the two games you brought up to defend yourself.

Thraxx Media1 year ago

Well to be frank: I wasn’t necessarily “defending” myself, but rather giving you insight in regards to the decisions that went into the current state design. My apologies if it rubbed you the wrong way. I will add though that some people tend to forget: developers (in most cases) aren’t just “work horses” disconnected from the actual gaming space; I am a long time old-school gamer myself, so I’m certainly not going into this “blind” and just applying random values that may or may not look nice on paper.

What I’ve playtested so far felt good enough to me, as well as to a bunch of other people who didn’t complain. Maybe they did so because they were friends and didn’t wanna upset me; maybe they simply didn’t know better. Whatever the case, I didn’t think much of it and left the mechanics as-is. That’s really all there is to it.

Again, I apologize if your opinion differs. After all, everyone is entitled to their own tastes and preferences, that’s reasonable. I took note of everything you brought forth and have you know that it’ll be considered moving forward with this project. I just don’t want to make any promises I can’t keep, is all.

Cheers

Imaynotbehere4long1 year ago

Okay, I see where you're coming from. To explain myself, I've noticed people tend to make games "inspired" by those old-school classics without fully understanding WHY something worked in those games. It's less "work horse/you never played them" and more pointing out minutiae you seem to have missed or forgotten. Also, keep in mind that your game only has one simple area right now; your friends most likely didn't bring the issue up because it isn't a huge issue YET.

Sorry if it feels like I keep harping on the same thing, but your response seems to ignore the other point I tried to make in my last post: if you're gonna keep the physics, you should change the level design to make that section less annoying.

Think of it this way: how often do Mario 3 and Super Metroid make the player jump on multiple single-tile-wide platforms in a row, if ever? How much time does it take for the player to reach those segments from starting a new game (without sequence-breaking)? How long are the segments themselves? What total percentage of the game do these segments make up? Are these segments mandatory, or is there an obvious branching path the player can take instead? How do your answers compare when the same questions are applied to your game?

To be fair, there IS an old-school game franchise that has single-tile-wide platforms early on like your game does, but that franchise is Mega Man: a series where your momentum dies completely upon letting go of forward in midair--the very thing you're trying to avoid (so you should avoid the early single-tile-wide platforms, too).

I understand why you made the game like this--no need for more insight--but do you understand why having so many single-tile-wide platforms in a momentum-platformer isn't a good idea? Do you understand why your inspirations rarely did this and never did it so early?

itch.io

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