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(+1)

uh-uh Not fair.

The fact that we are in the same competition is crazy because how am I supposed to be as good as this?

I guess the only thing I could say could have been done better if only slightly is to introduce the Motif slightly earlier but that might just be me not hearing it earlier where it might be. First I hear it is at 1:07 which isn't even that far into the song anyway.

of the 2 songs of yours I have heard I can certainly see a style you have since it is quite similar to your last song. and that style is too good for being in small scale productions.

(+1)

Hey, thanks so much for your comment and kind words! I really appreciate it.

For the motif, it is there from the beginning, but I deliberately composed this so it doesn't really take center stage until the Coda at the end. For example, the opening piano phrase from 0:03 to 0:05 has the motif at the tail end of the phrase in a elongated form, and the piano + choir melody from 0:05 to 0:10 also has the motif starting at 0:08. Also, during the Development A, the synth piano playing single notes in the background at 0:38, 0:51, 0:57, 1:04, and 1:06 is playing a reversed, extremely elongated variation of the motif. 

I was playing around with how to naturally integrate the motif into the various melodies and accompaniment, but maybe I should've highlighted it more when it appears... I'll keep that in mind going forward!

Thanks for listening!