itch.io

I've just updated the pool of community copies now!

Please feel free to run this game for your public library's game night! I've heard multiple anecdotes of other tabletop enthusiasts hosting street magic at similar events at their own local libraries and having a lovely time with it.

The pages are formatted to print on 8.5"x11" sheets — depending on your printer settings when you adjust for margins, the cards will probably come out to roughly 2.5" x 4" each, or just a little bit larger than your average playing card.

Thanks for writing in! First off, to preface this response: two hours for a foundation and another hour for a full round definitely runs on the longer end in my personal experience, but that’s by no means a wrong way to play. Having a fun time at your table is more important than playing ‘properly’! This said, a few thoughts:

Talking through tone and genre is the most open-ended part of the game, so it can really grow if you don’t watch the clock. It’s easy to go deep listing all sorts of touchstones or inspiration, but don’t get bogged down in comparisons; just use it to make sure folks are on the same page.

When it comes to playing the very first card, the facilitator can do a LOT to model a short foundation pass. When I'm facilitating and I play the very first neighborhood to the table, I always come in with three goals:

— Don’t preplan the first card (show other players it’s okay to fumble, start vague, and make something up from scratch; I try to build off an idea that another player introduced during the tone discussion)
— Keep it short (I try to keep to two minutes tops, writing on the card as I go; as with all cards, I don’t write everything down, only the most key details)
— Leave blank space (give permission to yourself and to the rest of the table to ask questions and say “I don’t know, we’ll flesh this part out later”)

In general, I find it really helpful to try and keep turns during the foundation round as short as possible. As an incoming player, coming up with your very first neighborhood or landmark might feel daunting, but it’s worth reminding folks that these are just sketches! If you’re playing with a group that likes to build off each other, it can be helpful to be a bit judicious with the clock, and remind people that they’ll have  an opportunity to go deep during rounds proper—but that varies from group to group, and it’s definitely not a hard science.

(I’m also curious how many players you tend to running with? Size definitely impacts round length: the difference between a four person table and a five person table might seem small, but it adds up, especially if you’re playing with a group who likes to yes-and each other’s ideas.)

I've just updated the game files to include a more printer-friendly version of the rules! 

The game text and playsheets print a little more easily if you print from the spreads file, rather than trying to print two singles to a page.

I've just updated the game files to include a more printer-friendly version of the rules, including spreads that are pre-formatted for double sided/ zine style printing. Hope this helps!

Thanks for your interest! I've added a demo (0. Contents.txt) which provides an overview of all the files that come packaged in the core game. Hope this helps!

It’s GMless! While you’ll want at least one person to keep the rules on hand to help facilitate, it should still be playable with four players who are sitting down with the text for the very first time.

Thanks for asking! I know of a number of educators who've had great experiences running street magic with middle- and high-school students. You could probably play with kids who are even younger, though they might need some additional support guidance to learn the rules.

As for community copies, I'm always happy to make my games available for educational purposes — reach out via email (caro.asercion @ gmail) and I'll send a copy your way!

Thanks so much for asking! Send me an email (at caro.asercion @ gmail) with the deernicorn receipt, and I can send you a copy of the supplement. Cheers!

https://seaexcursion.itch.io/the-long-shift

https://seaexcursion.itch.io/exquisite-biome

Thank you kindly for your review — I'm a big fan of the Shepherd Spiders!

This is a solidarity bundle! 100% of the profits will be donated to the National Network of Abortion Funds.

If you're asking "how much money have we raised", you can see that at the bundle page.

Because we're working with itch, we'll be able to accept submissions for a while even after the bundle goes live! For bundles of this scale, there are sometimes folks who don't hear about the bundle until after it becomes available for purchase, but still want to submit a project — we wanted to make sure that those folks have a window of time to contribute as well.

Thank you for reaching out! If you're looking for a printed copy of the game, I would ask that you pick one up from my distributing partners at Heart of the Deernicorn or Floating Chair Games. Buying an official copy is a better deal for both me and my distributors, and I can vouch for the quality of those zines in a way that I can't with a third-party/unlicensed printing service.

Hey, thank you for reaching out! Unfortunately due to the way download keys work, I can't share a community copy in the replies (it would go to the first person who claims the key, rather than link to your specific itch account). If you don't have a twitter account, feel free to message me via email (caro.asercion @ gmail) and I can send you one that way instead!

Hello, and thank you for reaching out!

I don't have an official "Trailer" in the way that many digital games on itch.io do, but if you would like a preview of the game, here are a couple of links:

• A review of the game by Kurt Refling, talking about its design origins
• An actual-play podcast featuring me and Jeff Stormer as we play through the game
• Another actual-play podcast, Rules and Roles, had a two part series: in the first part they played the game, and in the second part they discussed what they enjoyed about the game.

Hope that these links help! I will spend some time embedding additional links to make these previews more readily accessible.

https://seaexcursion.itch.io/augur

The easiest way to play in google docs is probably just a blank page that all your players can edit, with different indentation for Neighborhoods/ Landmarks/ Residents, but if you want something with a bit more polish:

If you want to play in google sheets, Kurt Refling has made two templates that are super easy to copy over — one that you can modify manually, and one that generates formatting using an automatic script.

If you want something with more of a flowchart quality, Miro and Coggle are two mind mapping/flowchart apps that I've found work alright for online play. If you want something that’s a little more structured than a flowchart but not as linear as a google doc, I’ve heard of folks playing in Gingko and Trello. I haven't played a session in either firsthand so I can’t speak to their quality, but they seem like sensible options.

Hope this helps!

Chess 2 is a joke with an exponential punchline. The first punchline comes in reading the title. The second punchline comes in reading the rules.

The third punchline comes when you and your friends are all gathered together on a discord call for two and a half hours, crowding around a virtual chessboard like a bunch of grade schoolers playing trading cards at recess, goading your friends on the best strategic approach they ought to be taking, and you’ve all been arguing on whether the pawn ought to ride the king like a horsey for so long that you completely forget that you could have just gone ahead and taken the opposing queen three moves ago, using regular chess rules, you clown.

In this way, the biggest punchline of all is the one that this game places upon us. Chess 2 is a masterstroke, and we are all its fools.

We, the City is a deceptively simple riff on the Belonging Outside Belonging framework with clean mechanics and a really elegant layout. The game paints with a very broad brush: rather than focusing on specific factions or districts within the setting, the game has its players narrate the city’s movement in terms of political ideologies and social motivations.

The competing political ideologies at play here are designed specifically for a contemporary setting and it really shows, but this game could very easily be re-skinned or transported into another genre without too much effort. I’d love to play We, the City as an interlude in a longform campaign set in one particular place.

I'm so grateful to hear that you had such a great time playing! Thank you for the kind words :)

Thank you for your interest! Easy streets is well underway — some of the contributing writers have been dealing with health concerns so we've had to push back the PDF release to aggregate all of the work in one place, but I've been formatting and laying out all of the finished decks so far. I'm aiming for an intended release as soon as we receive the final text; barring any drastic upheaval it should almost certainly be finished by the end of the summer.

https://seaexcursion.itch.io/street-magic

Thank you for the download key! I appreciate it :)

Thanks for the feedback! I'm glad that you found it an enjoyable playbook. :)

I'm mostly making a joke about the prevalence of samurai games written by white people, moreso than any of their actual quality; that being said, most games that fall under that umbrella, at least ones that i've experienced, are misguided at best and appropriative or outright racist at worst)

This game is sad and gay and I recommend it for anyone who wants to have a good sad gay time. I got to play an existential robot, which, ideal tbh. I did die at the end but hey thats just how it goes sometimes. Great times to be had all around. 5/5 stars.

there is no such place as an empty field is a thoughtful, generative worldbuilder that supports its players while simultaneously demanding from them the active process of decolonization. Where its companion game, all we know are the things we have learned, asks its players where their ingrained beliefs and biases come from, no such place is more forward-facing—asking how we can move beyond them for a more just society. Both of these games succeed as standalone entities but the two speak in tandem, each complementing the themes of the other intrinsically. These games are gentle but firm, unrelenting in their insistence that we can build a better world—but in order to do so, we must first confront ourselves and each other.

With Where There's Smoke, Mendes takes the gritty, high-intensity stakes of Forged in the Dark and refines them, both mechanically and narratively, smelting and reforging a completely new narrative structure. To call this game a "softened" FitD system would be a disservice—it is still dangerous, in the way that children's stories are dangerous, but the the mechanics are streamlined in a fresh and enticing way, and the lore of the text balances the rubble of this sundered earth with tantalizing whimsy (the creature, worldbuilding, and plot hook tables in the back of the book are worth the cost of purchase alone!) A fantastic game, in every sense of the word.

I adore the flexibility of this larp setup. Geostatonary paints the tone—lush, ostentatious—with a few choice descriptions, and then places the burden upon the players to drive the plot forward with razor-pointed leading questions. The built-in layers of player embodiment (Character, Narrative Voice, and OOC) flow naturally, but the additional specific voices (the commentary of the beloved, society's collective opinion, and the arguments for and against love) add an extra sweeping and melodramatic flair: a perfect fit for the style of the game.

Ahh, I'm so glad you enjoyed this game, Luke! Many thanks for your kind review.

Thank you so much for the kind comment, Abe!

Justin Quirit's ORICHALCUM is a thoughtful examination on legacy in the aftermath of colonization. The literal unearthing of pillars of empire—revealing the context of oppression, followed by the ways in which the Exiles have subverted that oppression on both a communal and an individual level—is a powerful means of reclaiming and recentering the narratives of an erased community. The mechanics for exploring of the land (a mixture of tile placement, narration, and drawn detail) all fit together in a satisfying confluence.

In Alone in the Ancient City, designer Takuma Okada translates the melancholy, No Man’s Sky-esque galaxy-wide wandering of Alone Among the Stars into a more humble joy, one of discovering a city on your own. Ancient City captures the feeling of traveling through a place with a history and weight belonging to others, but wholly unfamiliar to you. Okada eschews the oft-trod territory of metropolitan tourism and spectacle in the pursuit of a more intimate exploration. This game is Urban Pastel at its finest.

You Will Destroy Something Beautiful is, in itself, a beautiful game. Disarming in the simplicity of its voice, the connection between mechanics and story is a seamless example of substance without unnecessary weight. Elegant, fiction-driven, and rife with narrative potential.

Designer Matthew R.F. Balousek frames each of this anthology's titular Interstitials as a game to be played only under specific circumstances; in doing so, Balousek leans into the reflective and ritualistic nature of these meditations, tying the character to the player to the action to the word. The writing is sparse but quippy, suggesting the broadness of a full world using a mere handful of evocative prompts. Though it is framed as a companion to Blades in the Dark, the games are system-agnostic and translate well to other settings. Doskvol Interstitials is an elegant, delightful tool that should be in every player's back pocket.

In many ways, Spindlewheel is more of a scaffolding than a single game with a rigid set of rules—and this microgame compilation is a shining example of the breadth and depth that the scaffolding has to offer. The generators and maps offer an immediate and easy avenue for new players to learn the flexibility of the Spindlewheel deck, whereas more sophisticated spreads like Detective and The Mountain provide players the chance to exercise more lateral storytelling connections. The collaborative nature of these games makes them approachable for veterans and newcomers alike.

In Home Again, designer Nell Raban has taken the Powered by the Apocalypse engine—a framework predominantly grounded in individual power and control—and re-centered the entire system to rest on a foundation of community. This design choice is reflected most overtly in the communal stat pools, but the values permeate the design of the entire game, in the favor pools between characters as well as the very nature of the stats themselves.

Though Home Again confronts the real violences inflicted upon the diaspora, this trauma is not at its core the point of the game; rather, the game acknowledges this trauma and asks its players, "how can we heal and move past these—together?"

A great game, and one that supports its core thesis every step of the way.

It's the steel in her gaze as she looks ahead—hot as a forge and sharp as a sabre. Something in those hardened eyes reminds you of your sister.

Oh man, I've got potential ideas bubbling for this already! I can't wait to participate :)