There's a lot going on here! The bells, the horns, the drums. I'm not sure it all hangs together quite as well as it should, but it feels ambitious and creative. I think it's worth tinkering around more with, because with a little more cohesion it would be really fantastic.

I love igaLevelMusicCombinedCut track. (I think this is your "thinking" music?) The clever use of instrumentation totally made it feel like a dreadful march, with a bit of much needed levity from your trio. I did not like the clicking instrument that was underneath all of the layers. First, I had to turn up the volume to hear it, but then the different rhythmic texture totally threw me off. You are painting a beautiful atmospheric picture, but that instrument breaks it up. I would suggest either making it louder and perhaps changing the instrument to help it flow better or removing it entirely.

The next piece Lumber March Fade was so good too! This is a great example of that clicking, salsa-like theme taking the spotlight and doing a really great job of it. I can tell why you wanted to include it in the above track too to have some consistency between the pieces. Here, it really shines and feels right, plus the upbeat and "comedic" (as you called it) feel of this piece is so much fun! This one also reminded me a bit of the Fantasia theme of Mickey with the broomsticks.

Now, for the SFX. 
- The success theme is also fun, but it is very clearly the Zelda success theme at the end, haha. I would try to adjust it a bit so that when people hear it, they think of your game and only your game.
- The charge is great! Love the horse hooves, yells, and clattering of armor. The party horn sound at the end is a little funky though. Is it supposed to be like a charging horn?
- Sadly, the Rising Undead SFX is not playing for me! D: I was really excited for this one since your layering was very creative, haha, so I am going to try it again tomorrow and see if anything changes.
- Finally, I really like the beginning of the Player Lose SFX. It really makes me feel like, "well crap I lost" with the drums and brass, while the flute on top is almost like I am being laughed at. After the first few seconds however, it doesn't really feel like I have lost anymore. Is it because the melody goes upward? It gives more so hope or loading screen vibes from that point forward, which feel a little off considering how it started.

Great work on this!

March: This would be used as the title music. I went for a little more comedic interpretation of the theme, so I wanted the undead to be advancing with a march, but with a 3/4 time signature to also be a waltz. It features the bassoon to represent the necromancer. and has a trio section featuring the flute because of this guy:

 Cerebral music: Because this is for an RTS game, I wanted some space for thinking, and toned down the melodies for this track. It features a fanfare section to be faded in and out of the song based on the context of the game. I imagined the "Hero" enemies would start blasting their fanfare if they started to win. 

Level Lose Music: features a patronizing base line, and violins who laugh at you. Does not loop.

Sound Effects:

I wanted to try different techniques of sound design, so each was created differently. 

Level Win Music: "Dramatic Chimpunk" (cause you are evil) and the Zelda Success theme, because this is the perfect 6 notes to convey all the feelings you should be having right now. Made via orchestration.

Charge: When the "Heros" launch an attack against you. Made via layering a variety of sounds from freesound.org

Rise Undead: for when you raise an army and spread your territory. Made via combining recordings of ripping leaves (body parts assembling), pouring salt(dirt moving), stirring Jello (squelching), reversed resonance of a mandolin smack (magical presence / wrongness), and my very wet laugh made right after eating some Jello.