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(+1)

First, thank you for pointing me to the ACoUP blog! I think I'll be returning there as the 'deep dives into historical minutia' genre is right up my alley.

I could definitely see the poetry of Bertran peeking through especially in the ending, which I thought gave the lines in the penultimate paragraph a great power - the staccato poetic phrases beat like drums, enforcing the horrors of war. You could, if you wished, rework this as a more thoroughly poetic piece throughout. I definitely got the understanding that, unlike Bertran, this is Vauquelin's first outing into battle. I would be interested in understanding more about him, and why it is that, being raised in a violent and martial culture, he is sickened by his (first?) experience - especially when Duke Garnier clearly is much more okay with the whole affair. To make the story work with the theme, that's the direction you had to go in, but I think (especially having read Bertran) that you could have delved into that a bit more. The piece is still very powerful, especially carried by your strong imagery and rhythmic use of language.

Thanks!
Yeah, Vauquelin is meant to be an outsider to the martial culture of the aristocracy, while Garnier is born and raised in it. Perhaps Vauquelin came from a merchant family and had only heard of war from storybooks. Or maybe he was raised outside the Chivalrous Kingdoms, which would explain his knowledge of foreign cultures. Might be fun to expand upon at some point.