Valdriks the Jazzborn
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I like how ‘Searching’ is just super serene, which probably fits the jam’s theme the best. ‘Chasing’ was probably my favorite; the synth (or string instrument, can’t tell) was a pleasant surprise and the way it played alongside the flute was so synergetic. ‘First Flight’ was really sweet, not much else to say about it. Overall, this OST is beautiful!
Very nice! I like the horn and choir sections, and the drums are a nice touch. I would say that, in my opinion, some more variety would work wonders for the song; even if the main loop stays the same, an overarching melody or chord progression that changes a lot could drastically improve the sound. As said before me, a bassline would also help. Overall, great work! (Love that cover image btw!)
This is insanely good, especially the percussion. This feels almost too gripping for a kart game haha. The synths are an incredible part of the OST and have a very airy sound that fits beautifully with the sky theme, plus the e-piano (and other instruments I can’t identify) remind me of simpler times on the Wii; I can’t explain why that relates to the theme, it just does. Needless to say, incredible work to both of you.
Thanks for checking this out—Glad you liked it! The pads were made louder than other simultaneous instruments so that the chords would be easier to detect. I used a compressor in the master audio bus, and I’m not sure if that’s considered side-chaining or not. As for the bass, it doesn’t use chords at all and isn’t supposed to follow or correlate to the chord progression, if that’s what you mean. The chord stuff is something that never really stuck with me in music theory, and I never really try to follow traditional patterns or systems when using chords.
Thanks so much! I hadn’t seen the rankings yet when I read this, so it was really encouraging to read a new compliment before I saw how my entry had done. And to be fair, I had rushed to complete the OST in about two or three days and I agree with most of the criticism that’d been brought up in the entry comments. So hopefully next time I’ll finally take the development slow and manage to do better with the composition.
Awesome entry! I love the instrumentation, especially, and the melodies are really pleasant to listen to. The tempo change in Minutown’s Destruction was an excellent touch; It fits the time-related theme while also adding the sense of urgency of the town’s doom.
Minutown was great, a nice change in mood that still fit with the first track. I really like the main looping instrument there (I’m guessing it’s some kind of altered piano sound?)
Thank you so much! I will say that, though I’m glad the music turned out the way it did, a lot of the stuff you pointed out was kind of unintentional, mainly the 4/4 drums versus the melody. I honestly just don’t pay much attention to the difference between 4/4, 8/8 and so on, when composing. Anyway, I’m so glad you enjoyed my entry and I greatly appreciate the detailed feedback! :D
Thank you very much! The variety thing is something that’s been pointed out a lot in the comments, and I’m really glad it’s been called to my attention. It seems to be something I could work on in a lot of my music, although this one sort of had an excuse as it was my first major attempt at the synthwave genre.
Thank you! And don’t worry, your feedback is greatly appreciated!
The repetitiveness of the themes was pointed out to me in another comment. Upon reexamining the songs, I agreed. Making the songs shorter would be a good option, but I personally think I should’ve just put more variety in the themes of each part. I think the reason “Impending Doom Approaches…” seems to be the more popular track in this entry is because I didn’t skimp on variety; I didn’t reuse too many themes and I gave different composition to different parts of the song.
Anyway, I’m glad you still enjoyed my entry despite all this. Thanks again! :D
Thank you so much! I appreciate the feedback.
Honestly, the main theme(s) were probably my least favorite part of this OST. The first leitmotif was quite rushed; I didn’t have much motivation or ideas for it other than ‘make it sound dark in some way.’
I hadn’t really considered making more variations of the themes, though. That would’ve helped a ton, especially with how loop-based a lot of the songs are.