Okay.... dude.... a game this bad shouldn't be THIS GOOD. You could even say it's... so bad IT'S GOOD. *ba-dum  tsst*. But seriously, what an entry! The story was absurd, the gameplay was janky, the cutscenes brilliant, the models funny, the lack of sound effects interesting... also Eva's flip kick is the best move ever. Also who needs run mechanics when you can just ROLL?

Amazing game!  Great story, and those models are just perfect.  Also quite a lot there considering the length of the jam.  Just very enjoyable all round.

So, a few minor nitpicks first. The overworld was somewhat tedious (the giant red arrows were appreciated, however, it would have been nice if the first overworld section started with the camera looking at the giant red arrow instead of having it behind the camera, which lead to me getting pretty darn lost on my first attempt at playing the game due to not knowing where to go), I did spend a pretty long time not really knowing what to do at the boss fight, and I wasn't sure if the gun was even working due to the weirdness that happens when I attempted to use it.

However, despite those bits of 'bad bad' stuff, the rest of the game was honestly 'so bad it's good'. The environmental storytelling in the car factory was interesting, the writing was entertaining, the main controls were just the right kind of jank, the spears made a lot of sense in context, the individual levels were pretty enjoyable, and the overworld was nice (besides the whole 'kinda difficult to know where to go' stuff). And don't even get me started on the very very high-quality graphics.

So, overall, I'd still say it was 'so bad it's good', despite some of those nitpicks.

This is definitely a Ned Reid game, it has that style to it, but with a new twist on it from the VR models. The bizarre mix of ultra-realistic textures, boxy geometry, and blobby cartoonish character models is not by any objective measure good, but it's surprisingly charming and fits this jam perfectly.

The gameplay is janky as hell and once again could not be considered good by any objective measure, but it works well here. Glitchy movement and cameras is more of a feature than a bug, and combat was surprisingly satisfying. The platforming sections were a bit frustrating, but fortunately they weren't too long and I laughed more than I actually got mad.

The cutscenes weren't always amazing, but the absurd story worked well enough, some of the scenes were memorable, and all in all it's a good fit for the jam (and definitely has the style and feel of a Ned Reid game).

I won't spoil the ending, but I will say that I was initially disappointed before realizing how absolutely perfect it was.

The overworld is probably the least enjoyable part of the game. Rolling around gets old quick, and it turns into an overly large, hard to navigate desert. The lack of music doesn't help, either. I think this was probably deliberate, but it's a joke that just doesn't quite work.

The scope and the length of this game is very much on the edge of needing a save system and an assurance of robustness; I was very worried that at some point I'd hit the wrong key or something and be forced to start over.

I love the graphics and cutscenes. Rolling around is super silly! 

Rolling is the best mode of transportation, seconded only by car transformation. Beautiful overworld, not much to do but keep on rolling. The story was riveting.

A masterpiece of SBIGness!! Well done!

The cutscenes were a high point and, no spoilers, but there may've been a top 10 anime battles of all time (watch mojo style thrown in there). There were some issues, like how the mouse constantly left the screen if you have more than 1 screen and the camera randomly moving with the second weapon.