Thank you so much, Celeste! <3
kirrifant
Creator of
Recent community posts
Gosh, 4,5 hours! You're my idol. Thank you so much for taking the time to listen to my entry. You had me laughing out loud with your reactions to it and I'm very happy to hear I achieved some of what I aimed for, including the nefarious typewriter! I'll check out your take on the other entries too, as I'm sure I'll learn a lot from it.
Hi, guys. Composer/SFX artist here at your disposal. You can check out my previous work for other jams here: https://kirrifant.itch.io/ Feel free to DM me at Discord (kirrifant). My timezone is CEST.
Hi, guys. Composer/SFX artist here at your disposal. You can check out my previous work for other jams here: https://kirrifant.itch.io/ Feel free to DM me at Discord (kirrifant). My timezone is CEST.
Really interesting track with great sound design elements. I specially liked the second section with wide atmospheric sounds and noises and a hint of harmony in the background. The reprise of the string attacks also worked great and the outro is really cool and fitting too. It took me to a distant place and immersed me in this distant ancient civilization which seems to be working in the building of something huge (and which might bring their own destruction or make them gods) while immersed in a thunderstorm.
Beautiful piece. I really like the story-telling and sense of journey achieved with the two contrasting sections and reprisal. Specially dig the noisy tail of the leading mallet-like synth at the intro and outro, and the sweeping pads at the second section, atmospheric with the just right twinge of melodic sparks to keep the ominous feeling at bay and give way to hope. The pitch bend for the departure of the pads is also great and the background voices also work great. It feels the pads are some kind of overseeing beings looking over us humans and our daily endeavors. You transported me to the eighties and I thank you for that. :)
Thank you! Yes, indeed, the more I hear the piece and read your feedback, the more I feel the starting parts feel skippable and not suitable for the context. I guess I just listened too many times to Disco Descent and got trapped in the "I will get an exactly 3 minutes long track so cool and with many different parts" loop. Glad you liked the title too!
Thanks a lot for the encouragement! I am finding a super positive community in all the tune jams I join, and this time is not the exception. I always get very valuous feedback or at least encouraging comments, and to share mine is the least I could do, even when it is just a feeling for I might lack the technical or musical proficiency to provide something more insightful. But you know you can always feel the "weight of silence" when there's no direct communication with the creator ("maybe I got it all wrong?", one thinks) so I am very very happy to receive your answer and hear you indeed found it helpful! Let's keep it up!
Amazing work, with awesome buildup and story-telling. I feel it like at the intro something is coming, getting closer and closer, the tension keeps rising but we have still not taken action, it is just a growing fear of the unknown, then around the 1:00 mark the enemy is finally revealed, and the drums of battle start to sound; feelings of despair are mixed with the resolution to face the dark forces, and after an arduous preparation, finally the battle takes place. Also digging what I see as the high register of strings with insistent attacks and faster motifs to kind of represent the menace and the brass underneath with the "good guys" trying to contain it with a slower pace.
Sweet laid back track and at the same time full of energy and a foreboding feeling. It adjusts perfectly to the background you aimed for. Those plucked strings sound fantastic, as well as the hurdy-gurdy. Thanks a lot for sharing that ancient instruments library you found, I might have a go with it too! Great work!
Really interesting track. I am loving the "something is being built" feeling all around, and the mechanic while also organic nature of the rhythms and attacks. An ominous feeling is present during all the piece, even though you also manage to keep it upbeat, and I really dig the constant "tension-repose" you got with the buildups in the 1:00, 2:00 and 2:50 marks. Now I get the name of the track: definitely something is coming our way, but it is not here (yet). Cool job!
I really like the atmosphere and sound palette here: the vaporwave synths greatly complement the bass. Digging also the "danger danger danger" transition and specially the more chaotic section which unfolds after the "alarm siren" and the first thunders, to end in the more peaceful resolution when the storm finally arrives. Great work!