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Thank you so much!

Thank you so much for your feedback! I'm very happy to hear you found it creative and will work to improve the mix!

Thanks a lot!

Thanks a lot for your kind words! Glad you liked it!

Thank you so much! I will definitely work on that aspect of the track you mention to try to tame down that unpleasant lead and make it cause an effect but not reach the "discomfort zone". I really appreciate your detailed feedback!

Amazing work. Creepily happy, which is easier said than done! Spooky and upbeat melody with an excellent instrumentation choice and fantastic rhythm section to keep us moving along the track. I am definitely picturing this in a remake of the game.

Very interesting track. I love the development and dynamics, and the bass melody machine-like attacks work wonderfully, specially when mixed with the bubbly arpeggios at 0:20 and 1:20 . Awesome work.

Yeah! Oh, boy, Mario having the time of his life surfing through those pipes. Groovy!

Fantastic atmospheric feeling of tension but at the same time positive emotion. Digging those background drone noises and the sound design all around in this. Great work! 

Interesting take on the original theme, giving new vibes with those reverby snare hits. I dig that lead trembling instrument sound chosen, which really conveys a mysterious feeling. Good work! 

Oh yeah! Thanks a lot!

Thank you!

Thanks a lot for your answer! I will go and give a listen to those packs.

Thank you so much! Some really high praise there. 😎

Thanks a lot!

Amazing.

Cool descending chord chromatic progression giving instant Radiohead vibes. Mysterious and chillout undertones with the unexpected and refreshing vocal appearance with a very special treatment giving it robotic/alien nature. Very unique and transporting track! I liked it very much!

Cool minimalistic sound design. Interesting and mysterious with just the basics. The percussion adding the lively and random spice it needed. +1 for the pixel art.  I loved this. 

Amazing vocal sounds, indeed! Really piqued my interest and will check out the VST you used, because those choirs were absolutely epic. I think you did a great job with the development of the track. I really digged the intro and the bridge and reprisal from around 2:40. There is some overcrowding at times when the percussion frequencies clash with the brass at the low end, but with some polishing this has a lot of potential. Great job!

What a blast! Sick leitmotif carried along with such a powerful blend of FX with guitar licks and machine-like percussion attacks. It feels very cohesive and stylistically solid, immersing the listener in your own private universe. Thank you for the ride!

Loving the instrumentation for this. Really catchy motif, and swingy, laid back and energetic vibes all around. That tremolo at the end hit hard! Cool work!

Digging the blend between ambient, rock and orchestral, and some really cool sound design at the beginning! Great work!

One of those days you are so happy sleeping (Tippy) , but something wakes you up (a vibrating phone notification, maybe? Vibra) and then you keep turning in bed trying to get back to sleep, singing lullabies to yourself (Tirin) but something keeps bothering you and you can't take it off your mind (No Mettle). You finally assume it's impossible to get back to your dreams and you start creating something cool (Reeds) even though you are so tired, and finally you can get back to sleep (Sleep), hallelujah!

Powerful and moving at the same time. A pleasure to hear, with top notch sound quality. My favorite take is the third one (without guitars): in this version the transition at 1:45 hit me harder and overall everything feels more nuanced. Thank you for sharing your incredible work!

Amazing work. There's so much happening at every moment and it still feels each voice has its place. I specially liked Lost To Time, so packed with surprises, and Spirited with its VVVVVV vibes. 

Wow! So eerily beautiful piece. Loving the sound design here, and the story presented with that horrifying beginning giving way to the amazing strings crescendo from 1:11 and the peaceful ending. Amazing work! 

Thank you very much!

Thank you so much!

Thanks a lot for your kind words! Totally unplanned track. I started with the drone synth to see where it would take me melodically, and somehow the ending bass line appeared out of the blue, asking for the drop. Drums came last to carry it along.

Thank you! Glad you liked it!

Thanks a lot for the feedback!

Thanks for your comment! That's definitely some great idea. Did not occur to me this title could remind of a racing game, but now I see it obviously does!

Thank you very much!

Gorgeous bass line. I am so loving the entrance and the buildup you created to prepare for the lead voices. Bridge with tropical instrument also on point, and head bobbing all along with positive vibes. Let's go to the beach, furry friends, for it's a beautiful day!

And a million kudos for your Miro board. Man, you are such an inspiration. Learning so much from your notes already! A ton of valuable info there.

Groovey! Solid rhythm framework to let the bass and synth couple dance freely. Always interesting and working wonderfully well for the theme. I wish all elevator music were like this! Great job!

Nice! So in love with that Baroque approach. Very unique take on the theme.

So good! Complex yet not overwhelmingly so. You made it fully credible with an outstanding sound quality and composition. I loved this track. 

Fantastic work. Spot on as an ambient track for the game at hand, letting you play without bothering you and at the same time managing to create some interest without a melody, which is so damn difficult. The sounds chosen are great and the attacks of the guitar create a laid back but energetic vibe. You tell me this comes from the real game, and I would believe you.

Boss level. Oh my, that brass at the end was epic. The buildup, the leading voice, the tangerine daiquiri... Take my stars, Mr. Tanuki.

So nice to hear how you took the theme to kind of an Irish folk style! I dig the rhythm and strong motif, albeit it can become a bit redundant without a part B, but surely that is the nature of many folk songs, and with improved dynamics and playing around silencing and reprising instruments it could work fantastically. I also think the track would benefit from less compression to give more air to every voice, but of course that is a matter of personal taste.