I also love the Ori and the Blind forest OST and I clearly hear the inspiration in you music from that! :) Apart from what others mentioned for the third track: minimalism is great but usually not for the dynamics. The strings sound little too repetitive also because their dynamic stays more or less the same.

But overall good work! :)

An interesting contribution. I think I get what the other commenters are saying about the third track, a minimalistic battle piece could still work but might need more tonal variety or maybe some different layers of instrumentation to really come through. I can hear your battle theme working well with an Anna Meredith-styled minimalistic orchestration, in the style of maybe something like "Nautilus". I was getting those kinds of vibes, so I could hear something like that working here.

First and second tracks are done very well, the third, as for me, is little lack of the point, if you tried to do real combat theme you should use less repetitions and more powerful soundings, and, despite the fact, that it's an Ori's style music the theme only on the violins seems too lone.

It's nice to have a track that takes time to breathe. The melody isn't ovewhelming.

The musical twist is unexpected. You composed two tracks in one. Exploration and battle. It's well done and pleasant to listen.

I think your'e really good with creating an atmosphere and very ambient tracks, and the production on those sounds great!

Like you said, the battle theme sounds a bit forced, and in my opinion also a bit too repetitive - usually creating 2 sections and using the 2nd section as a way to break up the first section really helps! But, for a first attempt it is pretty good, and the production still sounds just as good and lively.

The Ori inspirations are coming through loud and clear (not that I mind the Ori soundtracks are some of my personal favorites). The intro is very gentle and magical.

This is great! I absolutely love the themes you developed with the flute (which sounds gorgeous btw). The composition and the way each track flows into the other is spot on! 

For the combat theme, I would suggest layering harmonies to add tension, I find it works really well to just change the pedal note even when keeping the same ostinato on the strings like you did here. And layering and adding new instruments that just play an octave up or harmonise with already present ones really helps bring up the tension and create movement. But it's sounds nice for a first attempt nonetheless. Keep up the good work! Great job overall!

Nice composition! I like the very soothing first part, and the tense part at the end fits in well. Maybe you could have one more quiet part at the end to release the tension :)

I'ts a soft OST that makes me feel cozy :D It gives me Ori vibes as you said! And some Hollow Knight 👀

The woodwind with the soft choir pads was beautiful. Great work :)

Really nice work, especially the first two parts are really beatiful and gives me the feeling that the description (and image) conveys. The final part is more hectic and while it should be, given it is a combat scenario, it feels a bit "all over the place" but on the other hand reminds a me a bit about the  Lord of The Rings interpretation by Bo Hansson, which is not only a classic but also a favourite of mine. Will give this some more listening. Anyway, really nice work!