Vocals are definitely allowed! I always include some in my submissions, and I’m excited to hear what you come up with!
Aran P. Ink
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Major is definitely to blame for the guitar production! ;)
I think it ended up being a mix of an Axe FX II (on Bruno’s side) and Neural DSP plugins (mostly Archetype Plini and Nolly) on my end.
I really liked your submission, too! Thanks so much for the kind words.
If you ever want to collab on something, hit me up!
Oooh, loving the break-y drums right off the bat. Fun little micro-edits, giving the whole thing a slightly more aggressive lo-fi hip-hop vibe… Smoke and Mirrors definitely gives me “cyberpunk jazz club” feels!
Really enjoyed the drop into sidechained drums about half-way through Chip Hunter, too, and the sinister bassline in Now It’s Personal was also a delight.
Great work, overall!
It has a bunch of meanings!
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quite literally, this CEO has been locked in an elevator made of steel plate and plexiglass, with no way out
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cybernetics are often visualized in Cyberpunk as gleaming metal and smooth, glossy plastic. “Every damn line I hock at these jocks got ‘em locked in a heap of plastic and plate” is a reference to overcoming the overwhelming strength and power of a corpo-cyborg-militia through subterfuge, hacking, and clever manipulation. If you shut down a cyborg’s robotic components, they’d be helpless, weighed down by their non-functional body parts.
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plastic and plate metal are both evocative of industry, to me. At the end, suggesting that the CEO will “take ‘til [his] heart is plastic and plate” is saying that he’ll keep amassing power and wealth at the expense of others until capitalism devours his heart completely, removing his humanity.
I was expecting a bunch of chill tracks after the Intro, but Endless Corridors really hooked me with its juicy bass and pounding drum track. Feels very tense and foreboding.
Some really cool pads and synth patches all over this soundtrack, definitely gives me alien vibes. Open fire is a lot of fun, too!
Well done!